Reigning it in: Staging a Production

Tiger

As a musical performer I’ve been told I often use sweeping and dramatic gestures and move about a lot on stage. What I’m learning now is that being a singer with a band is a lot different than doing a one-woman show. As I rehearse my show THE PASS it’s been brought to my attention by my director, Gretchen Cryer, that I need to stand still–at least once in a while! During my rehearsal yesterday I was pacing around the stage, thinking and moving spontaneously as I would in life. But this can be distracting for an audience, even off-putting. I’ve been advised to block out all my moves so that when I speak and sing I will be standing in pre-arranged places–no more wandering around! I’m a free spirit who enjoys making each performance different; I even sing my songs with slight variations every time, to keep them fresh. It’s just the way I roll.

However, for THE PASS, the first run-through, which is September 28th, is an invitation-only performance and will be trying out a new style: one of stillness. I will perform my anecdotes and sing my songs according to a pattern that I’ll have pre-determined, as much as it is within my power to do so. Varying my act a bit, by tweaking the way I usually perform, will be a big challenge. But it will also keep me aware of both myself and the audience in a fresh and exciting new way.

I am thrilled (and nervous) to be preparing for my first showing of THE PASS and will be sure to let you know how it goes.

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