My 1st lighting designer relationship

lighting

I am pretty open to new “types” of relationships…this is certainly a new one for me!

Today marks the first & only NYC run through with our lighting designer#KenWills for #THEPASS Thrilled to have his vision on board and on stage!

The Playground Theatre David Burns PR here we go! Please LIKE our FB page https://www.facebook.com/ThePassMusical/

Beyond excited…

Great Britain: The Sum of Our Parts

flag UKWith the up coming premiere of THE PASS in London at The Playground Theatre, and work at KMPR, my life is pretty full and time has become a bit precious. However today as I look back at my time in London and all the amazing people I have known and worked with over the years that are British, I realize the impact Britain has had on my life. Aside from it providing my first big success with  Lucky Stars, there have been so many talented and supportive people both while living in London and while living in West Hollywood and NYC that have helped me with my music career. They have also influenced me personally. They are  the sum of all my parts. You know who you are. Forever grateful.

THE PASS LONDON 2018

snow2

At the end of 2017 I was busy wrapping up a hundred details, tying loose ends as if they were bows on packages, ensuring everything was tidy and pristine. Now 2018 has come and a whole new year lies ahead, a wide-open expanse of time like a prairie covered in snow–it’s beautiful, exciting and scary. It’s the season to leave details behind and to concentrate on the big picture.

I’ve set amazing goals for 2018. One goal is to bring my show THE PASS to London. I’m setting my sights on performing my live show in theaters throughout the UK (where I have a fan base from my hit “Lucky Stars” with Dean Friedman), then throughout the USA. Obviously this goal will have to be broken down into little pieces, like a disassembled stage set, to make its achievement manageable. I’ll do that next week. For today, a day of freezing temps, (NYC) bright sky, brilliant sun and impending snow alerts, I’m going to savor the driving ambition, the sheer audacity of my idea. I can see my name and THE PASS in lights across a large white billboard–and it looks good; it makes my toes tingle.

As we formulate our New Year’s resolutions, which will have to be carried out with sweat, sacrifice and discipline, let’s all take a moment to savor how wonderful it is to dream, and to appreciate the future stretching out before us, fresh as snow, just waiting for our footprints.

 

Racing Through The Snow

snowWinter is often seen as down-time, a season to lie low and rejuvenate while waiting for warm weather to return. But as the cold comes and the year turns, I am feeling invigorated and living for new challenges.

One thing I’m concentrating on is the promotion of my one-woman musical production THE PASS. As 2018 is the 40th anniversary of the release of my and Dean Friedman’s hit song, “Lucky Stars”, I’m especially eager to bring THE PASS to London next fall. So I’m actively seeking a theater and professional representation. Can’t wait to cross The Pond again–I lived in the UK for four years and have nothing but stellar memories.

I’m also planning on how to feature songs in my music catalog, administered by BMG, on film and TV. We all know how just the right song adds spice to a drama or enhances the best moment in a love story. So I’m eager to lend my voice, and the voice of artists I represent such as Nicole Berke, to exciting new productions.

Another endeavor I’m undertaking is the formation of a special book marketing division for my PR company, KeyMedia Public Relations. I’m designing a very affordable package with first-time struggling writers in mind, to get their manuscripts into agents’ hands and READ and PUBLISHED in the quickest, most efficient way possible. In mulling over names, I’m leaning towards “Push The Book”–reflecting the fun, no-frills but high-quality aspect of this project.

So bears may hibernate and geese may fly south, but there’s no rest for this weary but inspired businesswoman/singer/songwriter and all-around “athlete” this December!

Pinpointing My Dream

Dream

After basking in the afterglow of my first performance of THE PASS, my one woman show including original songs, I now say: What’s Next? A dream is a pure thing, beautiful and nebulous as a cloud, filled with light. But to successfully mount a show a dream is unfortunately not enough. I have a vision; I need a plan. To an artist, making the vision concrete can be the hardest part. Luckily, over the years I have formed and developed my own production company, and have handled the careers of indie musicians (and other artists) whose work I respect. Now is the time to apply the same concentration to my own show that I’ve applied to dozens of other careers.

So, today, I have been starting the submission for a new musical festival, here in NYC.  If we get it, it will help with the funding needed to take THE PASS to the next level and around the country, hopefully even around the world. Oh dare I dream that big? Why not!! So this type of working on a dream,  involves dealing with all the tedious parts of an application such as finding documents and filling out information fields–the exact opposite of bursting into song. Setting my sights on the goal, the end results of entertaining people for a 90 minutes of songs and stories,  I am doing it, while running my PR/Production company as well! That is also a part of me, helping others! www.keymediapublicreations.com

I can break through into a life that is better and where I can be my best self–the expressive songstress me. I can see myself traveling to cities and sharing THE PASS.

It’s right there…

Reigning it in: Staging a Production

Tiger

As a musical performer I’ve been told I often use sweeping and dramatic gestures and move about a lot on stage. What I’m learning now is that being a singer with a band is a lot different than doing a one-woman show. As I rehearse my show THE PASS it’s been brought to my attention by my director, Gretchen Cryer, that I need to stand still–at least once in a while! During my rehearsal yesterday I was pacing around the stage, thinking and moving spontaneously as I would in life. But this can be distracting for an audience, even off-putting. I’ve been advised to block out all my moves so that when I speak and sing I will be standing in pre-arranged places–no more wandering around! I’m a free spirit who enjoys making each performance different; I even sing my songs with slight variations every time, to keep them fresh. It’s just the way I roll.

However, for THE PASS, the first run-through, which is September 28th, is an invitation-only performance and will be trying out a new style: one of stillness. I will perform my anecdotes and sing my songs according to a pattern that I’ll have pre-determined, as much as it is within my power to do so. Varying my act a bit, by tweaking the way I usually perform, will be a big challenge. But it will also keep me aware of both myself and the audience in a fresh and exciting new way.

I am thrilled (and nervous) to be preparing for my first showing of THE PASS and will be sure to let you know how it goes.